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[Introduction] at that moment, a handsome man holding a black umbrella crossed the street. Four eyes collided, everything happened in reason. The man’s heart began to throb and jump with the woman’s swaying posture. In memory and dream, he pursued the elegant and beautiful woman in Zhang Ailing’s works.

Recently, I always read Zhang Ailing. Read her words and works. There is no reason for the reason. A word, like it. Is like. In fact, I am not a nostalgic man. But some things can’t be forgotten, which always make me remember. No matter how time goes by, I still remember deeply. Remember Zhang Ailing’s name, Zhang Ailing’s works, just like remembering the woman she loved all her life. Simple and directly. The wind and dust of old Shanghai in the past was like a black gel ribbon, wandering and depositing in her gray words, and finally solidified in the heart page of the appreciator, which was a lingering feeling. Zhang Ailing, a strange woman born in an official family, has been nurtured by Chinese poems, books, Piano Paintings since her childhood. Her bone marrow is soaked in Chinese style. The novel technique is also integrated into the stream of consciousness of Western montage. The words are light, elegant and elegant, full of oriental women’s unique orchid temperament and emotional color. It is also a model of modern female writers. Sometimes her words are slightly dark and nostalgic, just like a purple flower, which slowly stretches open, making people feel lazy and decadent, as if sunshine is redundant water in her words. Everything is intertwined with reality, fantasy and imagination, and finally sank into the heart of readers’ feelings. Zhang Ailing’s works had little influence before her death, and she spent her whole life wandering, lonely and cold. In the end, he died alone in an apartment in the United States. After Zhang Ailing left, people dug her works like archaeology. A series of dusty words came out one after another. The heat wave hit the whole Chinese Circle, which made countless men and women obsessed with it. I am also a fan of Zhang without discount. Having special hobbies for women is not her pretty appearance or attractive figure, but the wisdom and charm of women. I still vaguely remembered that in a wet morning, the vast picture scroll of old Shanghai was slowly unfolded in front of me, a noble, elegant woman wearing a tight blue-and-white porcelain cheongsam, walking in front of me, I am crazy about this woman. Cheongsam is a vivid and fashionable prop for women in Zhang Ailing’s works, and it is also a small oil umbrella for women to hide vulgar. Women under the umbrella must be amorous. Most women in Eileen Chang’s article are dressed in cheongsam, and their temperament and charm will be presented immediately. At the moment when a pair of black high-heeled shoes under my feet kicked over the dark bluestone street, a handsome man holding a black umbrella passed through the street. Four eyes collided, everything happened in reason. Men’s hearts begin to throb and jump with women’s swaying posture. In memories and dreams, To pursue the elegant and beautiful woman in Zhang Ailing’s works. This is the magic created by Eileen Chang’s words, which controls readers’ obsession with her words and can’t help herself. But throughout Zhang Ailing’s life, her love is gray. The story is just like herself. There is no need to say anything from strong to silent leaving. A small street, Street across most sweet, middle encounter most beautiful, Street parting most painful. Love is a feeling. It is worth remembering in the whole life. Everything will be diluted by time. Love comes abruptly and leaves quietly. Flowers cleared. No rules can be seen, no details can be touched. For example, Four Seasons rotation cannot be stopped or copied. Loneliness is as empty and desolate as the boundless desert. Zhang Ailing wrote flowers in her spirit, and Zhang Chi was generous. She interpreted the truth of love, the lingering of hatred and the misfortune of fate incisively and vividly. The men’s and women’s love quilt cover on heavy chains. From her love in a Fallen City, Lust and Caution, the golden lock, her writing style has not changed, and what has changed is only her new understanding of the world. Zhang Ailing believes that love is sincere. But the ending is that no one knows the truth. Maybe what I don’t know is beauty. I like Eileen Chang’s words, and I prefer her prose narrative style and leisurely life attitude. What should be forgotten is still remembered, while what should not be forgotten is already forgotten. There is a reason for the existence of women’s words. Men should not add a small word before Zhang Ailing’s words, which is disrespect for her. I will be obsessed with Eileen Chang’s words like my own words, which are simple, persistent and affectionate.

[Responsible editor: Ke Er]]

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